For example: Imp. P. Gaultier, Boulogne-s-Mer. – Ed. P. G. Visé Paris 800 was printed on the reverse of Mackain's Out on Rest postcards by Gaultier:
Whereas Visé Paris 800 appears by itself on the front of the same set of Mackain cards by Savigny:
It has been suggested that “Visé” was the name of a publishing house or printer in Paris, but the weight of evidence is that it is more likely some sort of official stamp of approval by the military authorities. Vise can mean “endorsed”, “stamp” or “authorization” depending on the context (as in a travel visa) and Gaultier was a printer based in Boulogne while Savigny was in Paris.The numbering following “Visé Paris” appears to be chronological - Mackain's card sets are numbered 713, 763, and 800, and were “authorized” late in 1917.
| Set | Reverse | Front | ||
| Gaultier | Savigny (Long) | Savigny (Short) | ||
| Greetings Cards | Imp. G. Savigny, Paris. – P.G. – Visa Paris 713 | | - | |
| Paris. – Imp. G. Savigny, 80, rue de Cléry. | | | Visé Paris 713 | |
| In Training | Imp. P. Gaultier, Boulogne-s-Mer. – Ed. P. G. Visé 9-10-17 | - | | |
| Imp. G. Savigny, Paris – P.G. | | - | | |
| Paris. – Imp. G. Savigny, 80, rue de Cléry. | | | - | |
| At the Base | Imp. P. Gaultier, Boulogne-s-Mer. – Ed. P. G. Visé 1-11-17 | - | | |
| Imp. G. Savigny, Paris – P.G. | | - | | |
| Paris. – Imp. G. Savigny, 80, rue de Cléry. | | | - | |
| Up the Line | Imp. P. Gaultier, Boulogne-s-Mer. – Ed. P. G. Visé Paris 763 | - | | |
| Imp. G. Savigny, Paris – P.G. | | Visé Paris 763 | | |
| Paris. – Imp. G. Savigny, 80, rue de Cléry. | | | Visé Paris 763 | |
| Out on Rest | Imp. P. Gaultier, Boulogne-s-Mer. – Ed. P. G. Visé Paris 800 | - | | |
| Imp. G. Savigny, Paris – P.G. | | Visé Paris 800 | | |
| Paris. – Imp. G. Savigny, 80, rue de Cléry. | | | Visé Paris 800 | |
| Cheerful Tommy | Imp. P. Gaultier, Boulogne-s-Mer. – Ed. P. G. Visé 18-1-18 | - | | |
Non-Mackain cards with lower numbers appeared in 1914 and the numbers rise in line with time.
Was there a central “approval process” during WW1 for cards to be reviewed by the military authorities in Paris prior to publishing? If so, did they assign a unique number to each card (or set of cards) in ascending order? And what were they reviewing for content ... military secrets? Whereabouts of troops? Seditious content? Or does “Visé Paris” mean something else entirely?
If anyone has any thoughts on this, or evidence to support it (or a better theory), please share!
If, like the gentleman here, you are scratching your head and wondering what this blog is all about, then this is a good place to begin. The purpose of this website is to catalog online the wartime sketches of Fergus Mackain, who served in World War One and documented his experiences through illustrations, most of which were used on postcards. The hope is that this website will promote awareness of, and serve as a source of knowledge for, this less celebrated artist, and encourage the sharing of information about his life and works.